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Farnsworth Travel Blog

Photos and travel diaries by Era & Donald Farnsworth

Dear friends and family,

Now for one of the highlights of our trip, the fabulous Miyajima. I have wanted to go here since I first saw pictures of it, decades ago. I tried to get accommodations at Miyajima, but everything was booked. It is peak time to view the autumn colors. Then I read about how many tourists flood in and became apprehensive that it had become a huge tourist site. Miyajima has been a pilgrimage destination site for a long time, but it is far more significant, far more historic, with far more gravitas to ever succumb to the Western, Las Vegas, Disneyland type of tourist site (or so I fervently hope).



That is how we ended up staying in Hiroshima, which is close by. Some of the guide books make it sound rather difficult to get to Miyajima, aka Itsukishima, which is actually its real name. I ended up receiving directions from a non-English speaker at the front desk of our hotel, so it was not difficult at all. He told me in Japanese and circled things on a map. We ended up walking a few blocks up from our hotel, (The Hotel Washington), another comfortable, new hotel, catching a street car, which trundled along for about an hour to a ferry terminal. We followed a small crowd of people to the terminal and caught the ferry for the short ride to Miyajima.


It was a beautiful day. Those piers in the water are oyster beds, I think. Hiroshima is famous for its oysters.



I was eager to arrive at Miyajima around high tide, which was about 9:30 am that morning. We got there a little after 10.


The stunning Torii which marks Itsukishima shrine. 

The shrine itself.

 There was an event going on with many kimono-clad ladies



Too gorgeous!

Don with photographer photographing a class of school children. They are everywhere right now. Just noticed the Japanese businessman in his dark suit and briefcase, seeing the sights at Miyajima. The poor guy looks like he's about to start selling cleaning products. Most of the young businessmen we see are super fashionable with gelled spikey stylish haircuts. 

The class picture.

Priests putting away banners after still another special event



The 5-tiered pagoda, which we didn't take time to see up close. You are starting to see the colors of the trees in those red splotches. We have not beefed up the color on any of the trees, but you will probably find them hard to believe. We did. The colors are hallucinogenic.


A little rivalry over some food.

We start climbing the slopes of Mt. Misen, the holy mountain. In fact, the whole island is deemed to be holy, ever since Kobo Daishi brought a form of Buddhism to Japan in the 8th century, I think -- anyway, a long time ago, and chose Miyajima as a spiritual center. It does feel spiritual.


Temples scattered throughout the mountainside

This color is real and not touched up one bit



The colors, the beautiful temples, the occasional sound of the large bells with their low ringing peal, and every so often the wonderfully syncopated drum beat, a bit like Taiko drumming, somewhat wild, which I think was signaling the start of a Buddhist ceremony, occasional whiffs of incense - all combine to put you in a dream-like state.

Very impressive temple, Daisho-in, which seems to stretch over several structures, and is quite different than other temples I have seen. There is a sand mandala on the floor before the Buddha. There was also a large photograph of the Dalai Lama inside this temple.


This Buddha is a jolly fellow, and compassionate also. He says if you touch his body he will take away your pains.

Underneath the temple is an underground experience, which we would not have discovered except that we saw an older couple go down the unobtrusive stairs. Passing through a curtain it was absolutely pitch black. You had to feel your way through the narrow passage. I passed along in total darkness and am happy to report that there was absolutely no urine smell, which sadly probably would have been the case in the good old US. The Japanese provide public bathrooms everywhere; how civilized and considerate. The stores often have them right in their lobby or close by, not hiding them away as Western stores do. That certainly goes far to alleviate the problem of people feeling they have to relieve themselves in public places.

Back to the pitch black passage. I felt my way around a corner, calling out directions to Don who was fumbling behind me, when lovely Boddhisatvas appeared, dimly lit. It reminded us of an art house we had seen at Naoshima on our trip with Lewis and Chandra.


There were a number of these images, swimming out of the darkness.


The Japanese have perfected long ago the Whammy effect received from multiple images. Thousands of these figures, all hand carved. All four walls of this temple were covered by these figures.


This may still be Daisho-in, although a separate structure. As always, you should be able to double click for a larger image.


Craig Anczelowitz (of Craig and Aya) had told us of stories of one of the lost tribes of Israel making it all the way to Japan, arriving sometime in the 1100's, I believe. They are the Hata clan, and according to the stories had European features and also brought some important innovations to the Japanese culture. Some of the Hata clan to this day are imperial court musicians. This is a Tengu, a Japanese supernatural creature who hangs out in forests and mountains. This one has wings, is carrying a scroll (the Commandments), and holding what could be a menorah, except it has 9 candles, or whatever they are. Craig sent us this interesting link: 
Ancient Jews in Japan:
https://www.youtube.com/watch?v=qqIiKVPdV1A

Fun!

And love from Japan,

Era and Don




Dear Friends and Family,


Our best meal in Japan so far, brought to us once again by Fujimori-san and Awagami. We are truly spoiled. In a land of great restaurants the meals we had with Fujimori-san have been the best. In a little over 2 weeks now, we've only had one bad meal here in Japan so far, and it wasn't that bad. They used a bottled sauce which was shocking as none of the other restaurants did such a thing, or if they did, we weren't able to tell. We even went into a fast food restaurant in Osaka. We are in Oasaka now, and our fast food meal there, one a little less than $4 and one a little more than $4 were astonishingly good. 







































They did not hold a candle to this meal, of course, in a restaurant in the little town near Awagami Paper Factory. Sorry, I did not get the name, but if you visit Awagami, perhaps the good folks at the paper mill could tell you.






































Clock-wise, starting at one o'clock, daikon stewed with shiitake, beef and onions; shell fish, probably clams with wasabi and who knows; sashimi in what I think was a miso-based dressing with Japanese green onions, which are more like baby leeks. I should have documented this right after eating, but we had very spotty internet in the Japanese countryside.


Same dish, with dipping sauce and sake.


Beautiful fresh sashimi with sliced raw onions, wasabi and grated ginger


Tempura'ed baby shrimp with gingko nuts


Mushrooms in aspic, but Japanese flavorings. There was some type of potato-like pancake at the bottom


Melt in your mouth beef.



Another fun meal, Era, Don, Craig and Aya (I am having fun, although I look tired). Maybe too much pigging out. Somehow we are managing to lose weight.

Craig took this picture as we are about to get on our toy train. It is 2 cars long. We are sad to leave. What an incredible experience and how well we were hosted at Awagami. Arigato gozaimasu.

Our little toy train went for a few stops, where we transferred to a slightly larger train...and then finally to the mighty Shinkansen. 

Crossing the inland sea

Dr. No's new project




A sushi specialty of the region.

The Shinkansen slides into the station exactly on time, looking like a bionic sea creature. We will soon climb on / into it and take a smooth slippery ride within its comfortable gullet. We didn't purchase the Japan Rail pass this trip as we were making a couple stops of several days' length, so we've been purchasing tickets in Japan like the Japanese, or almost like the Japanese. When you buy your ticket they usually give you a train which leaves in the next several minutes. This time we were given reservations on a train which was leaving in 2 minutes. (Later we were given tickets for a train which left in a minute and a half - we barely made it.) Slight freak out as we frantically looked for our track and ended up running downstairs with our suitcases. I was the last one in the door. Those trains arrive and leave exactly on time.

We're eating around 4:00, that's probably why there is no one there, another regional specialty, Okonomiyaki

In Hiroshima now; a place both Don and I felt a little nervous about going. My mom spent quite a bit of time here after the war, interviewing Hiroshima victims. And later my (second) cousin, Rahna Rizzuto, interviewed some of the few remaining survivors also and wrote a book about it.


Dozens of 1000 cranes, folded and strung by people, many of them school children, from all over Japan and the world, who probably pray for peace as they fold each one. I remember doing this as a kid myself; the cranes were strung and sent to Hiroshima when we had 1000 of them. This is not the only festooned column at the shrine.


When we arrived back to our hotel, there was a street fair going strong. Too bad we weren't hungry.





And life goes on as it should, thank the gods. I am happy to report that Hiroshima has managed to repopulate itself and people seem to be thriving.



There was a rap performance with loud music, singing and a break dancing contest, which we could hear, even though we were up about 14 floors. I was a bit concerned that it might go on till late into the night. (Don's comment:) "Yet here in the considerate First World, everything was over at precisely 8:30, and the streets were quiet." The next morning, the streets were again immaculate and you could not tell anything had happened the night before.

Love,

Era and Don















Hi friends and family,

Sorry about the occasional wrong email blog links. Honestly, I don't know how people keep up a constant blog. There is so much to do to get it right. They must stay up all night or devote their entire day to it.


Prequel: This is the empty vat, su and keta (hanging above the vat) where Don will be working. in the background Satomi is at her vat - She will be making paper and keeping her eye on Don. Some of the kids from the almost continual visits by school children in the background, looking on.


Fujimori san taking time out from his busy day of running multiple branches of a company, preparing the vat for Don's sheet forming sessions. Here he is adjusting the tension of the bamboo counterweights.



The master papermaker, Fujimori-san, forming kozo sheets


Kozo and neri being stirred in the large stainless steel vats
 by the custom-built traditional wooden stirrer, mechanized by Fujimori-san.


Stirring mechanism video



More preparation for Don: Satomi stirring Don's vat (slicing the neri - or the tororo goo, from the root of the hibiscus).


This woman carefully cleans the kozo, removing bits of outer bark which were missed in the first cleaning. 



At a vat just behind Don and Satomi's stations is Fukunaga pouring pulp into a Western style paper mould to make the very thick paper, similar to the paper used in the Chuck Close project.





Fukunaga


This is the post of paper Don made on the first day - nice smooth-looking post, no air bubbles. Not bad for a Westerner; the Awagami staff were impressed, as the sheet and mould size was fairly big. The pink ribbons are laid between each sheet to aid in the separation after pressing.

Here we see Don's post of paper and the vat, su and keta beyond. This is about 45 sheets.


Era, working under Mieko's tutelage, lowers specially treated kozo into a vat of indigo... very, very slowly


Mieko rinsing the dyed sheet.

Dried indigo


Rooftop view on our way to the dyeing section of Awagami


This is a lacy hemp paper, crumpled in a certain way

Then dipped into the dye vats, coming out looking a bit like a market basket full of cabbages

After uncrumpling

Each sheet is different and very strong. They let me dye one, but mine came out a little too green, so they let me keep it. 

These are a momigami paper to be used for covering graduation diplomas


Don and Aya speaking with the cameraman from a Tokyo television station, speaking about the Chuck Close Phil on Awagami paper. If you haven't seen this, it is gorgeous. He also filmed the gaijin making Japanese paper. 


Another great meal at our hotel (showing half of the meal), Aburayamima, definitely a Japanese crowd. In the hills above Tokushima.



Futons made ready for us. There is a sink, toilet, no shower. You are expected to go to the communal baths, take your shower (scrub well) and then soak in the communal tub. We were usually too tired at the end of the day, so would go in the morning.

Love from Japan,

Era and Don


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About the Authors

Donald and Era Farnsworth
Donald and Era Farnsworth are collaborators in art and life. Married over 30 years, they co-direct Magnolia Editions and The Magnolia Tapestry Project, based in Oakland, California. Both artists are products of the SF Bay Area. Shortly after receiving his M.A. from the University of California at Berkeley in 1977, Donald Farnsworth met Era Hamaji. They married and immediately set out for Dar es Salaam, Tanzania where Donald designed and helped build a handmade paper mill while Era worked with artisans, teaching and developing new craft products lines. In 1980 the Farnsworths returned to California and were founders of the art projects studio Magnolia Editions, known for its innovative techniques and innumerable collaborative projects with artists.
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