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Farnsworth Travel Blog

Photos and travel diaries by Era & Donald Farnsworth

Dear friends and family,

Next day at Udai Bilas palace; it's a little hard for me to leave this place.


I got permission to go upstairs and photograph. I think they would grant permission to anybody who asked. But you can see this wild, crazy and phantasmagoric tower from another angle. I love it.


Mr. Don aka Aldo. Chess, anyone?



Our trustworthy driver, Rajender Singh, picks us up to take us up the hill to the old palace, the Juna Mahal. I am so happy I convinced my travel agent, Noorul Islam of Grand Travel Planner, to modify our itinerary. I found out about Dungarpur and Bundi from web searches and he was very accommodating, after some initial resistance, and managed to switch our itinerary around. 


Sad to leave Udai Bilas palace



A little Hindu temple right outside the grounds. I like the different color stones they used.

Raj had to ask for directions several times; a couple people had never heard of Juna Mahal, the old palace. We passed through a Muslim village where people were doing their washing at the village pump.



The Old Palace, Juna Mahal. Rawal Veer Singh, seeking a protected location, built a two-story building with barracks in 1282 and successive generations expanded and added more stories, according to a plaque at the location. According to Wiki, the ruling family are descended from the senior branch of the Sisodiyas of Udaipur. Mahup, the eldest son of Karan Singh, head of the Mewar clan, was disinherited by his father and had to go live with his mother's side of the family around Dungarpur. The younger branch of the family, descended from a more favored son, are the Maharawals of Udaipur, the Mewar, a very big name around these parts.

The Juna Mahal is 7 stories high.

The caretaker of the Juna Mahal was a very sweet older man, painfully thin, who ran about opening doors and shuttered windows for us so that we could see the usually darkened rooms. Naturally, we gave him a big tip/donation (for India) at the end of the tour.




Attempting to get a detail.



The caretaker, whose name we didn't get, so let's call him Ajay, demonstrated how the queen or Rani sat on cushions in this very spot and was fanned by a retainer.






The village below


Moving on to another floor.





Mirrored floor





And on and on. We felt as if someone had opened the gates to Pompeii, and given us and only us free rein. There was absolutely no one else there. We took hundreds of photos and feel so blessed to have had this opportunity.










Part of the complex has fallen into ruin







So much of it is gloriously alive, although gently decaying. Some day it will be preserved by conservators, hopefully they will do a skillful job, and it will be protected with plexiglass. Probably necessary, but unfortunately so much less direct an experience.

Love from India,

Era and Don

Dear friends and family,

Probably the highlight of the trip (along with Ranakpur and Dillwara Temples and Bundi, and, and...) Dungarpur; the amazing location with the rather unmelodious name.

First more travel photos from the road, as the drive from Mount Abu to Dungarpur was a good 6 hours.



Pilgrims, probably on their way to Dillwara at Mount Abu.

A colorful festival going on with what appeared to be dancing Christmas trees.




These are all out the car window.


But not this pano. If you click on it, it should get larger. You may have to wait a bit, depending on your connection. We certainly do here in India. Beautiful rice paddies.



Loaded vehicles, which we found interesting and amusing until we read that one of these flipped over recently and killed a number of young students.




India is a photographer's paradise. Remember, we are taking these out the window of a moving car.



That last was taken from a slow moving car and this is from a fast moving car.

Ox carts, horse carts, camel carts, donkey carts
I'm guessing this is a women work crew taking a little break. If they were waiting for a bus they'd have bundles.


We went through a little village, which seemed rather prosperous, skirted around a lake (Gaibsagar Lake), and then suddenly, so fast that neither of us got photos of the entry, we were at Udai Bilas Palace, our next and most splendid port in the storm.


View of small temple from Udai Bilas Palace


The courtyard at Udai Bilas Palace. Other-worldly, indeed. I was so excited to be there, I felt I was jumping out of my skin. The Maharawal of Dungarpur (a variation on maharaja) resides in this palace, but some rooms are rented out to enterprising tourists. I say "enterprising" as the Maharawal and staff don't seem to market it very much, and it is rather hard to reach.


These places always need to be maintained.

This is not as old as the ancient temples we've been showing you, or the 600 year old forts.  From what I can ascertain it seems to have been built in the mid-19th century, when one of the maharawals tired of living in the old palace up on the hill and built this exquisite place. Maharawal Udai Singhi-II was said to be a great patron of art and architecture, and it seems the family has been interested in art for many generations. 

The lodge

We were given a tour of the grounds. All these maharajahs seem to have been interested in hunting. It was part of their job to kill the occasional man-eating tiger or wild boar. I doubt the deer were a threat to any of the villagers.



The organic vegetable and herb garden


Papaya tree


The Maharawal has an extensive car collection.


They asked if we would like to have a drink. Why not? In Muslim areas of India or Muslim establishments drinks are not available.



So tranquil. 

We haven't dwelled on this, but we feel we are risking our lives every time we get in a car and ride on Indian roads. Chaos and madness.



One can see how both Hinduism and Buddhism adopted the water lily as a symbol of life, hope, purity arising out of the muck. When the Mughal architects and stone carvers put the water lily into their buildings, it was a nod to Hinduism, at least that is according to our guides, both Hindu and Muslim.


Don and the infinity pool


The dining hall. 

Dinner we were joined by only one other couple, German. Breakfast was that same couple and one Brit. Everyone pretty much kept to themselves. Probably shouting across that large expanse of table was a bit intimidating. Not sure what the water runway is for; the waiters said they never put fish in it.

We heard the palace was completely full over the holidays, but we had it pretty much to ourselves.






Good night, with love from India.

Era and Don





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About the Authors

Donald and Era Farnsworth
Donald and Era Farnsworth are collaborators in art and life. Married over 30 years, they co-direct Magnolia Editions and The Magnolia Tapestry Project, based in Oakland, California. Both artists are products of the SF Bay Area. Shortly after receiving his M.A. from the University of California at Berkeley in 1977, Donald Farnsworth met Era Hamaji. They married and immediately set out for Dar es Salaam, Tanzania where Donald designed and helped build a handmade paper mill while Era worked with artisans, teaching and developing new craft products lines. In 1980 the Farnsworths returned to California and were founders of the art projects studio Magnolia Editions, known for its innovative techniques and innumerable collaborative projects with artists.
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