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Farnsworth Travel Blog

Photos and travel diaries by Era & Donald Farnsworth

Dear Friends and Family,

We were so ready to have our own place by the time we hit London. As good as food has become in London, in our opinion it doesn't really compare to the Umbrian countryside and all the truffles,  porcini and other mushrooms in season now. We were so looking forward to having our own kitchen.

It was pretty distressing when the cabbie, one of the wonderful London Black Cab drivers, could not find the address of the apartment we had rented in Mayfair. He let us off close to the address, with our  agreement, and we walked up and down the street looking for the address. It did not appear to exist. We put in many calls to the rental agency and there was no answer. They had told us they would meet us at 4:00, although we had requested 3:30. We waited in the rain on the sidewalk, close to a nonexistent address, convinced we had been scammed. We had already paid for the full rent, a not inconsiderable sum. I was pretty furious. 

Finally, at 4:00, just as I was about to look for a hotel, a young Frenchman showed up. He was very nice, which helped, but I was still pretty peeved. The apartment turned out to be around the corner, on an entirely different street. Anyway, it all turned out well. The apartment was nice and roomy, plenty of hot water, spectacular location, small kitchen. It was just an unnecessary worry and stressful situation to start off like that.


View from the bedroom

The next day we had made an appointment to view Renaissance drawings at the Victoria and Albert Study Room. Buckingham Palace was pretty much right down the street.




The guards made us stop as a few limousines whizzed in. We think it was Rod Stewart and his family, as we later saw that Rod Stewart was being knighted that day by the Queen.



A lot of construction and restoration happening in London




And a lot of beautiful little parks and green oases.



Reached the Victoria & Albert at precisely 10:00, our scheduled appointment, where we were taken by a guard in a small group through a maze of hallways to the Prints and Drawings Study Room where we looked and annotated dozens of Renaissance drawings. We spent all day there; it was actually quite thrilling. 


Adam Asleep by Giovanni Antonio Sogliani, 16th c


A Witchs' Sabbath by an Anonymous artist before 1700.


We are looking at the paper and texture as much as the drawings themselves.


Afterwards we went to Brasserie Zedel, an art deco restaurant which we kept returning to, as the food was good and we loved the decor and atmosphere.


On the way to Brasserie Zedel we tried to go into the Royal Academy, but were once again stopped by guards. The Queen was coming to give out more medals, this time in the arts. She is reported to have beamed when meeting Grayson Perry in a dress of his creation. Photo from The Sun.

Note: when we were applying to visit the Royal Collection at Windsor, we were told men should wear tie, jacket, no jeans, no sneakers, which caused some concern, but this turned out to be dress code only if you were to meet HRH. HRH was probably delighted to see something different on Grayson Perry.


Brasserie Zedel is actually down 2 flights of stairs in a wonderful cavernous room, which feels so thirties. This is taken from their staircase.



lobby

The dining room is cleverly lit so that you feel that it is a sunny day outside.

Seafood vol au vent


Boeuf Bourguignon

You get the picture, classic, old-timey French bistro food

We were in London for 9 days. Don decided he really needed to see earlier paper, perhaps from the Middle East or Spain. We were told at the British Museum that we should go to the British Library and visit their study rooms, which we did, the next day.


We tried to walk as much as possible. Shakespeare looking out the window of his pub.


The British Library; absolutely amazing institution. Huge and astonishing in its available resources. Don and I both became registered readers, which you must do if you are to access their study rooms. We visited their Middle East and Africa study room where they were so accommodating. We requested to see some very early Middle Eastern manuscripts. They pull the requested volumes and you come back later to see them.




Walking "home" and stopped in for a drink at the Artesian Bar in the Langton Hotel.


Langton Hotel lobby




Don had a crazy drink which came in a small treasure box and was opened at the table to spectacular effect; no doubt inspired by Harry Potter.


Cheerio from London,

Era and Don







Dear All,
I added some views of Anghiari to our last blog, Part 3. Anghiari is a lovely little Italian hill town which you don't hear much about.
The next day, after a final meeting with Cristina, who gave us the felt she made the night before, we said our good-byes to dear Elizabeth and drove northwest on a route Elizabeth recommended.


Overlooking Lake Trasimeno; a lovely drive.

We found our most agreeable B&B in Prato, the rather posh Podere la Rondine. And Don wanted immediately to go into Florence. We had made the mistake of driving into Florence before; a nightmare. Many pedestrian only areas and only vehicles with certain license plates able to drive on certain days. Many one-way streets. So we took the train, a very short ride.


Almost immediately as you wander out of the train station in Florence there is Santa Maria Novella.


And there are all the tourists, hovering around the Duomo.

We found all the tourists, and they are in Florence, and of course, Rome and Venice. Well, we can't expect to have everything go so amazingly well as it did in Umbria. We could not get in to the Uffizi Study Room. You have to book well in advance. It's very difficult to do so from California. All I could find were web sites that would book tours of the Uffizi or regular admission tickets. Anyway, the crowds were getting to us.


An artist has wrapped columns with fabric.


Jacquard fabric


We found a pretty decent restaurant which served organic food, looked at a couple antiquarian print dealers and went back to Prato and our very stylish and comfy B&B, with our hostess who looked as if she had stepped out of Italian Town & Country.

The next day we went to the Textile Museum in Prato. According to the museum, there was an important Etruscan center in this region (Prato is near Florence) until the 5th century when the Romans took over. Textile manufacturing has been documented in the Prato area since the early 12th century. In 1296 there is documentation of 67 water mills in the area. These were not only used in the making of textiles and fulling wool, but grinding grain, making paper, sawing lumber and even cutting marble. Water and watermills were a major power source.


And they also used fibers from all sorts of plants. It sounds as if hemp was a large crop in Central Italy up until recently, used in the making of cloth, rope, etc., but then was phased out because of political pressure. Just say no.

Also, more recently, Prato became a center for the re-use of mainly woolen fabrics, woven and knitted. The wool fibers were taken apart and rewoven or re-knit.


There were a lot of beautiful and strange old machinery

The principles of converting the rotary power of a waterwheel into an up and down action had been known in Alexandrian times, but the earliest evidence of water powered fulling mills comes from Persia in the 9th century. Fulling is the process of cleaning the dirt and oil from wool, and also works to meld the fabric together and shrink it somewhat. It was done by people, as well as fulling mills - most pictures I've seen have been women - stamping or walking on the wool or fabric, sometimes in urine, which was used as a cleaning agent.




Back on the road and on to another center of ancient papermaking near Lake Garda, Toscolano  Maderno and the Valle del Cartiere, or Valley of the Paper Mills.



Lake Garda over Toscolano Maderno; we did not take this photo. From gardalake.com

We stayed at a B&B at the top of one of the mountains. Quite a hairpin drive getting up there.



A lovely view. (Reminder: if you click on the photo, you should get a larger version, which I think is particularly helpful with these  horizontal panos.)

The next day a hike in the Valle del Cartiere, a beautifully green and lush area, which once housed dozens of paper mills.


The cypresses were planted to help prevent soil erosion. Their roots are non-spreading and dig straight down into the soil, according to a placard we read.


Old paper mill ruins

And inside their papermaking history museum

An old stamper mill, used for crushing and breaking down fibers, seeds, etc.


A fellow who may have not been a professional papermaker, but what a great shirt!


Burnishing some finished paper.

A lot of old equipment there and quite a few old paper mills, mostly in ruins, on a lovely walk we took up the Valley of the Papermakers.


Decided to drive down a little closer to the airport in Bologna; we opted for staying in a city we had visited and really enjoyed before, Mantova or Mantua.


Approaching the old city on an overcast day.



A great band was playing at Bar Venezia. Especially liked their Tu  vuo fa l'Americano. 


We sat down and had some gigantic Campari spritz in honor of Venice, and the complementary appetizers they served which we shouldn't have eaten as we had made reservations at a lovely restaurant.

Ristorante il Cigno; Trattoria dei Martini

For some reason, we took almost no photos of the restaurant, only the food, so the above and the next two photos are from the TripAdvisor web site, after I fixed them up a bit.



A room adjacent to the dining room with a beautiful ceiling and painted cornice


And this is our terrible photo, which shows that you can bring your dogs into the restaurant if you're a regular and the dogs are freshly groomed.


Don was very excited to try what the waiter described as a recipe from the chef of the Gonzaga. I am sure they had many chefs with many recipes as the Gonzaga family ruled Mantova and other parts for 400 years. This turned out to be breast of a capon (a castrated rooster, sorry to say). It was absolutely delicious and unrecognizable as chicken; it tasted like an altogether different bird with an altogether different texture to its meat. One compensation for the poor capon is that it gets to live far longer than the more run of the mill chicken.


My baked branzino (European sea bass) with artichokes and potatoes. Yummy.


And Don had - surprise! - shaved truffles over tagliatelle. 

The blue necklace you see me wearing is of felt beads, made by Cristina Biccheri, dyed with European indigo or woad as they used to term it in the Middle Ages, and was a present from Elizabeth Wholey. You will see me wearing it in almost every photograph from now on. Its so lightweight and even helps keep me warm.

No dessert, please, but they brought us some delicious nut cookies anyway which we couldn't resist. We waddled away, agreeing that it was one of the best meals we had ever had.

Next morning, drove from Mantova to Bologna, returned the car in plenty of time and with the minimum of hassle. BTW, I highly recommend AutoEurope (a car rental site for Europe) and Europcar (a car rental agency), that combination. We have used them at least a half dozen times with no problems and in fact excellent service. We have had horrific problems with other agencies, like Avis in France. Crooks.


Ciao, Italia. We are off to the next chapter of our trip, Great Britain.

Ci vediamo presto!  (we hope)

Love,

Era and Don

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About the Authors

Donald and Era Farnsworth
Donald and Era Farnsworth are collaborators in art and life. Married over 30 years, they co-direct Magnolia Editions and The Magnolia Tapestry Project, based in Oakland, California. Both artists are products of the SF Bay Area. Shortly after receiving his M.A. from the University of California at Berkeley in 1977, Donald Farnsworth met Era Hamaji. They married and immediately set out for Dar es Salaam, Tanzania where Donald designed and helped build a handmade paper mill while Era worked with artisans, teaching and developing new craft products lines. In 1980 the Farnsworths returned to California and were founders of the art projects studio Magnolia Editions, known for its innovative techniques and innumerable collaborative projects with artists.
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